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Prematurely cute.
It's strange to enter a brothel not hard, with the back of my neck not hot. "Jennifer?" Not here. "Lucy?" Not here. whore1 was big-boned, whore2 looked too calculating. So the mama-san broght whore3 from behind the curtain to the green room. She looked just right. And up, up, up we went.
These days, people airbrush themselves tan. Imagine! It's either Whore3 vs. Mama-sana, or she's working two guys.
"Don't move." Another long absence. I get up and flick the boombox radio slider Off—it's disquieting—and lie back down on my belly. "I turned off the radio." "I told you, don't move!" "You didn't say don't touch anything!" She gets out a bottle of rubbing alchohol and unscrews the cap. I cup my hands, she pours. I wash my hands in the cool doctor's office-y smell. She dries my fingers, my palms, the backs of my hands, with a towel, thoroughly this time. The light in the room is next to the window. She drapes the red hanging curtain round the light: the room dims and pinkens, almost as if it were a boudoir in a romance. We begin.
Looking left at the mirror I start laughing: "With my glasses off I can't see that far!" She raises up on one knee, reaches under herself, puts my head to her lips, squats, lifts, eases herself down, and grinds. I come in one stroke, jam down her haunches to keep myself up her. She is beautiful, with her calm distant moon face above me. Later, I think she must have wanted me to see her new breasts.
Dipping, stinging, twirling: sweetly probing my hole—She must be able to roll her tongue. Not Lucy's lewd lip smacks but tiny tst's, slst's, lapping and kissing: Faint sounds from far away, "back there." The air that could be too cool but isn't blows over my back.
"I won't come, and I don't like to see you work so hard." She looks at me with black lacquer eyes. "It isn't that you aren't pretty, it's that I'm old, and we started too soon after I came the first time." Nothing. Perhaps she thinks I'll call customer service? She undrapes the curtain and the room becomes bright.
"Is she on vacation?" "No, she is having the operation for her breasts." "They were the perfect size the way that they were! And I like to touch her breasts, and suck on her breasts—Now that will hurt and I won't be able to anymore." "It won't hurt. Look!" Lifting her breasts with both hands. You can suck and touch every part of me." Now she will have to work even more to pay for them!" "You're cute." What's your name?" "Tina."
In the foyer, masses of tulips. "Have a happy Easter!" sings the mama-san
Meubles. In all the Victoriaville brothels I've ever been in, the language of the house has been Korean. And all the arrangements and accommodations have been variations on a theme:
You enter through a 24/7-ajar outer door, often with an "Open" sign, then encounter an inner door, where you ring the bell to get buzzed in. Many houses train a security camera on the inner door, so the whores may greet their regulars, or unwanted vistors can be screened. If the building is very small or old, the inner door may give on a simple foyer, but more often you enter a waiting room with one or two couches, a wide-screen TV, perhaps a crimson-and-gold painted shrine glowing with red Christmas bulbs, holding offerings of fruit, most often dusty. A curtained doorway leads to the whores' quarters, where (I suppose) they sleep, crash, paint their nails and do their hair, change into their uniforms, gossip, share tips, and prosecute feuds and rivalries. If your whore has not already collected you at the door, the mama-san greets you, brings one out to you, or presents you with a selection from which you may choose. Sometimes, they display themselves on the couches. Your whore leads you upstairs, or down a hallway. Mostly the carpeting is red, but at least not outdoor. A kitchenette may be off the hallway, a sauna, a storage room, but there is always at least one table shower room. Assume a long hallway, with eight cubes hence eight whores at a time, then figuring conservatively: 8 * ([50] (house) + [100] (whore)) * 3 * 265 = [954,000]. And like you, perhaps, she works in a cube, although one with a ceiling and a door (brass number, hollow, cheap hardware) that will lock. There is a Japanese-style gridded screen, a chair, or an exercise machine to hang your clothes on, a nightstand with kleenex, oils, lube, and nothing in the drawers. Sometimes a boombox, red digits low glowing. Always wall mirror along a low bed or mattress with towels folded at the foot. The mattress will be solid, resilient with no springs, not hard, like a futon. At 2111, the walls and the ceiling were spackled with glitter: Take him and cut him out in little stars: The Milky Way, in a dim pink sky. And of course a bowl of cellophane wrapped red-and-white swirly striped peppermints in a bowl next the door, so the departing guest can sweeten his mouth. {NA}
Her crinkly bush. "Like Brillo."
I loved the sweet feel of my shaft when Lan slid her sloppy slit up and down it, but her bush—she was young—was so sharp and stiff that her backstroke or her rotation would hurt me. But how could I have said what I said? Embarassing things. {NA} All characters and situations fictional. Copyright (c) 2003-2007 by "John Psmyth."
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